LaG Posted March 16, 2011 Report Share Posted March 16, 2011 (edited) 29524 i Elektrana vam predstavljaju: 29524 stage: ●The 65D Mavericks● (Surface records, Inceptive) London UK ●Lag (29524) ●Filip Xavi (Teskoba recordings) Elektrana stage: ●Ninja Boy (Elektrana) ●Neet Injapan (Elektrana) ●neoModern (Elektrana) Nastupajući kao The 65D Mavericks, Nick Dunton i Richard Polson izgradili su svetsku reputaciju kao jedan od najboljih Live nastupa na tehno sceni. Svoje setove posebno su pripremali za svaki nastup, a njihov beskompromisan pristup muzici kao i zalaženje u raznovrsne muzičke stilove rezultirali su velikom i dugogodišnjom podrškom od strane njihovih pratilaca. Nick Dunton je tokom proteklih 10 godina redovno nastupao širom sveta, rame uz rame sa najboljim svetskim tehno umetnicima prolazeći kroz legendarne klubove kao što su Lost, Kozzmozz, La Real, Fabric i Split. Nickove radove objavile su legendarne svetske etikete: Steve Bicknell-ov Lost Recordings, Ben Sims-ov Theory, James Ruskin-ov Blueprint, The Black Dog-ov Dust Science, Regis-ov Sandwell District, Function-ov Infrastructure i Makaton-ov Rodz Konez su samo neki od njih. Predstojeća 65D Mavericks izdanja sadržaće kolaboracije sa Orphx-om, remix za projekat Cane/Funckrama na Syncat NL-u, a pored ovih projekata Nick je posvećeno radio u studiju pripremajući novi The 65D Mavericks album koji bi trebao da bude objavljen u Oktobru 2011. Takođe, stvara i pod imenima Ever Vivid i Abelde. Kao Ever Vivid, Nick prikazuje dublju nijansu svog muzičkog izraza zvukom koji je duboko ukorenjen u Britaniji, nalazeći inspiraciju u ljubavi i poštovanju prema slavnim danima ranih 90tih tj. novom talasu koji su činili Plaid, B12, Stasis i Autechre. Ever Vivid projekat će u toku 2011. biti objavljen na etiketama Blueprint, Open Mind i Token. Sa Abelde projektom Nick zalazi u nepoznate teritorije mračnijeg tehno zvuka, a ovaj projekat naći će mesto na Subsist i Inceptive etiketama. Usled smrti Richard Polson-a 2006. godine Nick Dunton je na kratak period zapostavio svoje muzičko stvaralaštvo, a u procesu povratka proizveo je neke od svojih najboljih radova što potvrđuje i podrška od strane veoma raznovrsnih dj-eva kao sto su Marry Anne Hobbs, Aphex Twin, Function, Peter Van Hoesen, Franscois K, Laurent Garnier, Claude Young, Gilles Peterson, James Ruskin, Benga, Ben Sims, Surgeon itd. ______________________________________________ PRODAJA KARATA POČINJE 21. MARTA 2011. Cena karte u predprodaji - 300 dinara Cena karte na ulazu - 400 dinara PRETPRODAJNA MESTA: Gigstix - Novi Sad (Pariski magazin, Kralja Aleksandra 12) Svetlost Bar - Beograd (Milutina Bojića 2) INFO TELEFON: 063565150 Edited March 16, 2011 by LaG Quote neka osoba glupak hehe Link to comment Share on other sites More sharing options...
Vlada_ Posted March 17, 2011 Report Share Posted March 17, 2011 ja sam usao da vidim saljivi plakat :( Quote "The horse ran away with the spoon, I wish I was on the moon, too" Link to comment Share on other sites More sharing options...
LaG Posted March 21, 2011 Author Report Share Posted March 21, 2011 Počela je pretprodaja karata! Karte po ceni od 300 dinara možete kupiti na sledećim lokacijama: Gigstix - Novi Sad, Pariski magazin, Kralja Aleksandra 12 (radnim danima od 10h do 18h, subotom od 10h do 15h). Tačnu lokaciju Gigstix-a možete videti ovde. Svetlost Bar – Beograd, Milutina Bojića 2 (svakim danom od 18h do 01h). Tačnu lokaciju Svetlost Bara (poznatog i kao Kino klub Svetlost) možete videti ovde. Evo i nekoliko primera unikatnog stila The 65D Mavericks muzike: Quote neka osoba glupak hehe Link to comment Share on other sites More sharing options...
togFU Posted March 21, 2011 Report Share Posted March 21, 2011 daj kratu brate, mojne te bije maler Quote Link to comment Share on other sites More sharing options...
LaG Posted March 23, 2011 Author Report Share Posted March 23, 2011 U svojoj novoj epizodi, voditelji emisije 29524 nude Vam priliku da osvojite nekoliko karata za ovaj događaj. :) Emisiju možete preslušati na sledećem linku: http://soundcloud.com/29524/29524-emisija-epizoda-238b Quote neka osoba glupak hehe Link to comment Share on other sites More sharing options...
VELIKI KURAC Posted March 24, 2011 Report Share Posted March 24, 2011 (edited) ... Edited November 25, 2021 by VELIKI KURAC Quote Link to comment Share on other sites More sharing options...
LaG Posted April 1, 2011 Author Report Share Posted April 1, 2011 Jedan od The 65D Mavericks Live PA nastupa možete čuti klikom na ovaj link, a uradili smo i kratak intervju sa Nick Duntonom koji stoji iza ovog projekta! ______________________________________________________ -How did you get into making music? What were your biggest influences? Please give us an example or two :). I got into making music in the early 90's.. my biggest influence i guess was the whole acid house scene here in London in the late 80's, early 90's. It felt so fresh and exciting.. and at the time i really didn't want to do anything else with my time, but I guess looking back as i get older.. i realize that probably my biggest influences on the music i make now came from my mother and father. My father is a musician and my Mother an artist.. so the music i was exposed to was always quite eclectic and cutting edge. I think maybe the reason I make electronic music is that I lived with my Mother, and at that time she was at Art school and always going to Berlin so therefore we were always listening to music by people like Ryuichi Sakamoto, Japan, Kraftwerk, YMO etc, well that whole late 70's early 80's post punk new wave scene i guess.. so i am very grateful for that.. also my Dads music is pretty challenging itself so I blame him for me making techno, lol.. he lived in Germany in the late 60's early 70's so I was also lucky enough to be exposed to the whole UK prog / Krautrock and Freekfunk sounds as i was growing up (Can, Faust, et al) So although in my early teens i was more active in the Art side of things.. (I used to be a painter doing street art across London and beyond) by 16 i was firmly hooked on music.. And then I guess it's the familiar story of / records / decks / studio time / equipment / releases / gigs etc. -What do you use for production? What does your setup look like today, and how is it different (if it is) from your setup when u started making music? Well I guess the biggest difference is that nowadays I have a computer .. I also used to have a lot more outboard equipment ( compressors, gates etc ), more drum machines, sequencers and synths.. i have kept the best of the equipment that i had originally.. i sold some of the older classic keyboards about 8 years ago because the guys who used to maintain them shut their business down.. and lot's of the earlier equipment was going wrong quite regularly, so I upgraded to more boutique equipment.. Hand built machines etc Although that comes at a cost too as they are pretty specialist machines.. as in not many built. So they can be a bit quirky in the way they work or are not very well supported. But the main thing is they are very good instruments to play with.. I don't like staring at computers, I like to try and capture a moment in time, so i mostly do audio recordings, not midi nowadays. -What do you like to do more and why: live PA or DJ? Well I originated as a dj in London, but when i met Richard Polson and we started working together full time, We were getting a lot of requests for Live PA's, so I decided that I would concentrate on PA-ing only, as we were working as a team and I felt me dj-ing alone ( Richard didn't really dj ) would be disruptive to our partnership. Plus I must admit that I love the freedom of playing live and being able to move with the crowd as you have far more control over a live PA than just playing other peoples records. That being said, after over ten years of PA's I am enjoying playing some of my favorite records alongside my own stuff.. I have been using Ableton since the very first promo copies and I love the fact that it allows me to update and play tunes of any time period, tempo or style, it has total freedom in that sense, and that really suits me. -What was the motivation behind starting Surface records? What drove you to keep putting out new releases? Well Richard started Surface after leaving Blueprint in 1997, The motivation behind the label was to release the deeper more experimental side of things. I met Richard that year at music college and we became firm friends, about a year later he moved near where I lived and thats when we really started to work together properly. We moved in together, built a studio and started on a few different projects. I guess at the time it was harder edged, but really Richard and I were always into many different styles and on the look out for original music. So really in essence thats still the drive to keep putting out new releases now! -Where do you see yourself in the development of the British techno sound seeing as both Surface records and Inceptive gave chance and promoted so many prominent names in the current techno scene? Well, that's a hard question really.. We always set out to release the most interesting music we could find.. And Inceptive was set up specifically for new talent at the time. So I suppose it's up to history to judge what our input to the development of UK techno at that time or any other will be. I would like to think that our music will stand the test of time and that has always been the objective. We were never ones for fads and fashions.. we just wanted to stick to what we were doing.. we always said we would prefer to be shepherds than sheep. I still have many ambitions for the labels and music in general now.. But generally I am happy with the output of the labels so far, even if it wasn't as much as some of the other labels around us. To be honest I think this has helped us in the long run, and that's why I am extremely pleased that Richard has a deserved lasting legacy! We were always of the opinion that if you don't have anything worth saying then say nothing at all! -You are starting the labels again so we just have to ask: seeing as a lot of the old-school legendary labels have toned it down a bit and some have even made some drastic turns musicwise - is the sound of Surface records and Inceptive going to change in any way? Of course the sound of Surface and Inceptive will change with time, but with Surface especially, since Richard has passed away. The music just has to be good! I don't want to put limits on what we can or cant do. The idea is to attempt to make music that will stand up throughout the course of time.. or at least have some historical relevance. I guess you can only hope that people like what you are attempting to do. With Inceptive the musical philosophy was that it should be playable classic sounding club techno, and I guess it still has that same remit.. but the artists and music have changed so it's just trying to find original works that fit the label -In your opinion – what is the most exciting thing happening right now in the techno scene? Thats a very difficult question.. I like a lot of the newer artists, if you can call them new? Shed, Dettman, 2562, Klock, DVS1, Orphx, Horizontal Ground, Lucy, Deltafunktionen, Conforce, Ancient Methods etc etc I think these guys have real energy and their dj / live sets cover a wide variety of old and new music .. but it seems at some parties I have been to lately it could have been the same dj playing all night.. I must point out that it's not generally when new people are playing.. A lot of originality seems to have been lost with the immediate reaction of music lovers on the internet... not that the web is to blame.. lol Maybe the feedback comes in too quickly, previously you couldn't find out if people liked your records until they were released.. also before the internet a lot of people just didn't know each other personally, so everyone was busy getting on with their own thing, completely unaware of what each other was doing, unless you went to a record store and then it would have probably been six months out of date anyway. I guess thats why most of my early heroes in techno are people like AFX, Mad Mike, Drexciya, Plaid / Blackdog, B12, Autechre,Carl Craig, Stefan Robbers, Basic Channel, Jeff Mills plus many more. I think these people truly made original music and most will continue to do so.. It would be nice to have some more variety in what is getting played at the moment.. but getting back to your original point. Yes quite a lot of the new music excites me.. but I am always looking for something fresh.. i guess thats why a lot of scenes seem to be merging at the moment too. Something exciting is definitely brewing, its been over twenty years since the start of the scene now.. and I am sure a group of disassociated youth are waiting somewhere to create a scene that will turn everything on it's head Who knows? One of life's little mysteries .. lol -Have you got something special prepared for us this Saturday? Maybe some unreleased tunes? :) Obviously I have some unreleased stuff from Surface, Inceptive and my new imprint Inchoate Music.. plus some other interesting unreleased promos from various acts and labels Also some tracks from the past that are very special to me personally . I guess we will just see on the night what the vibe is and go from there :) -Thanks a lot for your time. See you in the club! No problem ! thanks for your interest ! See you on Saturday Dakle - vidimo se u subotu! :) Quote neka osoba glupak hehe Link to comment Share on other sites More sharing options...
LaG Posted April 2, 2011 Author Report Share Posted April 2, 2011 Satnica za večeras: 29524 stage Filip Xavi 23h-01:30h The 65D Mavericks 01:30h-03:30h Lag 03:30h-... Elektrana Stage Neet Injapan 23h-01h Ninja Boy 01h-03h neoModern 03h-... Vidimo se! :) Quote neka osoba glupak hehe Link to comment Share on other sites More sharing options...
VELIKI KURAC Posted April 3, 2011 Report Share Posted April 3, 2011 (edited) ... Edited November 25, 2021 by VELIKI KURAC Quote Link to comment Share on other sites More sharing options...
Corey Posted April 3, 2011 Report Share Posted April 3, 2011 FFFFFFUUUUU Quote Link to comment Share on other sites More sharing options...
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