Corey

Убачен још један линк.

Пар енциклопедија у домаћој варијанти, нисам све прелиставао, али лако ћеш детаљније проверити ако одеш у неку од антикварница, пре тога наравно провериш доступност телефоном: Савремена илустрована енциклопедија (Вук Караџић - Београд, Младинска књига - Љубљана; 1967-1970) Илустрована енциклопедија пиштоља и револвера света (Бата, 1990) Илустрована енциклопедија животињског царства (Младинска књига, 1961-1970) Маске света - Ото Бихаљи-Мерин (Младинска књига, 1971) Униформе српске војске 1808-1918. - Павле Васић (Југославија, 1980) Ове су ми тренутно пале на памет, ако се сетим још неких допунићу. У случају да ти треба помоћ око набављања старијих издања, шибни мејл.

Ако су бабушке твоје, пробај да их обрнуто поређаш, мислим да би био много јачи трип, ал такав угао да се чини као да су све једнаке висине!

Ако нисте видели, данас је онлајн избачена пета епизода, званично, никакав лик. Californication.S06E05.HDTV.x264-EVOLVE

Нехранљиви, скоро потпуно денатурисани производ, још више осиромашиш додатним печењем, тако да твој одговор је не, тај хлеб што си избацио треба да буде алтернатива двопеку ако ћемо реално да гледамо, а не обрнуто.

http://en.wikipedia.org/wiki/Bates_Motel_(TV_series) http://www.imdb.com/...671/plotsummary http://www.youtube.com/watch?v=Nkn5aEadrX4 За причу одговоран писац који стоји иза Friday Night Lights, чија вештина социјалног приказа се пореди са оним у The Wire, остварење које меркам већ дуго времена али све чекам већи монитор па да гледам ко човек.

No Statham, no Transporter : ) Нисам гледао, али на позитиван утисак још увек нисам наишао.

И ја највише уживам у Филаделфији, генијални су. Окет.

Гледа ли неко Suits? Погледао сам пилот, поприлично генерично али ипак солидно, двоумим се да ли да наставим.

Ово је још једна у низу британских мини серија, не би требало да буде више од шест епизода, дакле прича је заокружена и тешко да се може десити Lost ефекат.

http://www.imdb.com/title/tt1119644/board/nest/209690318

Hannibal is an upcoming American thriller television series currently in production at NBC. Developed for television by Bryan Fuller, the series is based on the series of novels by Thomas Harris and will focus on the budding relationship between FBI criminal profiler Will Graham and Dr. Hannibal Lecter, a forensic psychiatrist destined to become Graham's most cunning enemy. The series has received a 13 episode order for its first season and, unlike most network shows, any future seasons will also feature 13 episodes. David Slade will executive produce and direct the pilot. Main cast Hugh Dancy as Special Agent Will Graham, a criminal profiler and hunter of serial killers. Mads Mikkelsen as Dr. Hannibal Lecter, famed forensic psychiatrist and cannibalistic serial killer. Caroline Dhavernas as Dr. Alana Bloom, a psychology professor and consultant profiler for the FBI. Lara Jean Chorostecki as Fredricka "Freddie" Lounds, a tabloid blogger Recurring Laurence Fishburne as Special Agent Jack Crawford, head of Behavioral Sciences at the FBI and Graham's boss. Scott Thompson as Jimmy Price, a crime scene investigator specializing in latent fingerprints. Gina Torres as Bella Crawford, wife of Special Agent Jack Crawford. Aaron Abrams as Brian Zeller, a crime scene investigator. Hettienne Park as Beverly Katz, a crime scene investigator specializing in fiber analysis. Ellen Greene as Mrs. Komeda, a Boston novelist and friend of Dr. Lecter. Raúl Esparza as Dr. Frederick Chilton, administrator of Baltimore State Hospital for the Criminally Insane. Gillian Anderson as Dr. Bedelia Du Maurier, Lecter's psychotherapist. http://www.imdb.com/title/tt2243973/ http://www.nbc.com/hannibal/ http://en.wikipedia.org/wiki/Hannibal_(TV_series) http://www.tv.com/shows/hannibal-2012/ Почиње у марту. И да, Mads Mikkelsen as Dr. Hannibal Lecter

С обзиром да је ФОКС у питању, ово је још и добар крај, добро је да целу причу није уснила Волтерова крава. Жали Боже утрошених (20+23+22+22+13)x45min

У уторак нова епизода!

Мислим да је ово најбоља пилот епизода коју сам погледао. Врло напето, брутално, сурово. Режија и глума одлична, све то зачињено шмеком острвске школе филма. Искрене препоруке, не бих више да октривам како не бих спојловао, ал' ко хоће да ипак прочита нешто више: http://www.channel4.com/programmes/utopia/4od http://www.imdb.com/title/tt2384811/

Код проналажења документараца нема посебних правила, од оних који су важећи за филмове, серије, књиге, све остало. Потребно је само активирати се мало, па ће посредством старих доћи и нови. Рецимо погледали сте документарац преко Тјуба, ту можете оверити канал аплоадера, или гледате IMDB страну и са десне стране имате листе које праве корисници, што је одлична ствар за проналажење филмова, серија па и документараца. Па онда утицаји и инспирације на режисера, критике, фестивали, да не спомињем блогове и сајтове посвећене само документарцима. Што се тиче продукције, некако се много мање излази из оквира мејнстрима, замислите да скоро сви слушају музику из две издавачке куће. Када траже документарац, обично су обавезни критеријуми Discovery, History, NGC, BBC... До олакшам тај први корак, ево пар линкова: http://www.docs4you.org/forum/index.php? http://forums.mvgroup.org/index.php?& Ја их лично веома ретко користим, ал за почетак нису лоши.

Сад си се сетио : ) овери вест и коментаре за време турнира, можда су ту окачили, или сајт преко кога је ишао стрим. Овде: http://www.esreality...nt-and-details/ http://twitch.tv/faceittv

Дајте опет онај плакат за студентску екскурзију : )

House of Cards is an upcoming political drama television series developed for American television by Kevin Spacey, David Fincher and Beau Willimon. The series stars Spacey as Frank Underwood, a ruthless politician with his eye on the top job in Washington, DC. It is an adaptation of the previous BBC miniseries of the same name. The first season will premiere on February 1, 2013. http://www.imdb.com/title/tt1856010/ http://www.imdb.com/title/tt0098825/ УК оригинал

Налетео сам на занимљив текст, па пошто му је место у теми за нову сезону, отворих једну, иако је доста рано: Ten Things on Vince Gilligan’s Mind As He Writes the Final Episodes of Breaking Bad “We’re not gonna please everyone, we’re not gonna please everyone … This is what I keep telling myself so I can sleep at night,” Vince Gilligan laughed last month, even though he wasn’t exactly joking. When he spoke to Vulture, he was putting the finishing touches on the story for the third to last episode, getting very close to tackling the series finale (the show’s last stretch of eight episodes airs on AMC later this year). The writers room had gotten “a little schizophrenic,” said Gilligan: They’ve been taking twice as long as normal, or about three and a half weeks, to break each of these concluding episodes, and rather than building from the ground up, they’ve had to do a little reverse-engineering to arrive where they must by the end. All of which is to say, he’s more frazzled than usual, anxiously working to tie things up beautifully. “It’s going to be polarizing no matter how you slice it,” Gilligan said, “but you don’t want 10 percent to say it was great and 90 percent to say it sucked ass. You want those numbers to be reversed.” Without giving anything away (would anyone really want that?), he took some time to download ten things on his mind as he heads into the homestretch. 1. The evolution of Walt’s fate. The metamorphosis of the sweet but sickly chemistry teacher into totally corrupted drug kingpin has made Walter White one of the most dynamic characters on TV, and just as he’s changed through the seasons, so too has Gilligan’s idea of how his saga would end. “I had this strange confidence in the beginning that I had an idea [for the ending] that was sound,” he said of Walt’s fate. “But I look back at the life of the series and realize I cycled through so many possible endings, it would be disingenuous to say I had always had it figured out. It has evolved in the last five years and probably has some evolving left to do.” He’s planted flags along the way to help steer the direction but still reserves the right to change course, even with two episodes left to go. “I read interviews with showrunners all the time who say, ‘I know exactly where this thing is headed.’ I always find that very interesting, and I don’t doubt them for a minute. It’s just I can’t see my way clear to do that because the characters in Breaking Bad are in a state of constant change by design,” he said. “When a character will be a different person five or six or ten or sixteen episodes from now, it’s hard to predict the future.” 2. How Casablanca got it exactly right. In terms of nailing the end, Gilligan says he and the writers don’t talk about TV — they talk movies. And for him, Casablanca remains “pretty perfect.” “No one gets everything they wanted. The guy doesn’t get the girl, but he has the satisfaction of knowing she wants him. And he doesn’t get her because he has to save the free world. What better ending is there than that?” Gilligan said. “I’m not saying we’re going to approach that or reach in that direction. Our story doesn’t line up [with Casablanca]. But we’re looking for that kind of satisfaction.” 3. His time on The X Files. Gilligan was still on the staff of The X Files when the sci-fi series reached its highly anticipated finale, but as a self-described “monster-of-the-week” guy, he says he never had to worry about making sure the conspiracies were synching. (He wrote the show’s penultimate episode “Sunshine Days,” set in The Brady Bunch house, and it had nothing to do with any of the overarching story lines.) “I sort of watched from afar as Chris Carter and Frank Spotnitz broke these mythology episodes, and they always made my head hurt like, Man, how do you link this and that? Then, of course, I wind up on this insanely hyperserialized show. I should have paid more attention back then.” 4. Going back to the pilot. Ah, yes, Walt in his skivvies. The writers have spent a lot of time going back over that first episode, which began with Walt’s 50th-birthday party and the discovery that he had cancer, and ended with his partnership with small-time dealer Jesse Pinkman, concocting the sweetest meth and killing a pair of dealers after his recipe. “Are there echoes of the beginning that we should have in the end? There’s a certain kind of circularity that might be pleasing,” Gilligan said. “We think a lot about that, in fact.” 5. Henry Mancini. Gilligan recently read an old interview with the composer in which he was asked about the type of music he liked. Mancini said he liked best the ones that built in a feeling of inevitability. “He said something like, and I’m paraphrasing here, ‘I think the best music compositions are the ones that surprise you in moments, but in others, you feel like you know where you’re going, and there’s this feeling of satisfaction that derives from that inevitability. In a sense, inevitability, realized,’” Gilligan said. “That really stuck with me because that’s what I think we do on this show. We try to have a surprise around every corner but inevitability as well. The opposite of surprise. It’s something that I feel should and will be an important component to the end of the series. To me, that is an interesting thing and a thing to be embraced, that feeling of ‘I think I know where this is going.’” 6. Bringing Walt to justice — or not. “Of course he needs to go, and Jesse needs to pull the trigger!” “No, the cancer will return, and he’ll die alone.” “No. He’ll outsmart everyone again and go on the run.” This is the endless debate fans imagine the writers having as they attempt to answer Breaking Bad’s Most Important Question: Will Walt get away with it? Yet, Gilligan says that back-and-forth isn’t happening. “Not at all, really,” he said. “I’m very cornball in my own view of the world. It just makes sense to me that bad people should get punished and good people should be rewarded. I know it doesn’t work like that in real life, but there’s always that yearning.” But that desire for comeuppance doesn’t apply to the made-up world he’s created, even though justice may in fact be inevitable. “Oddly enough, I don’t feel any real pressure to pay off the characters, morally speaking.” 7. One final shout-out to The Godfather. One of Gilligan’s favorite ways to describe Walt’s descent is to say that he’s gone from Mr. Chips to Scarface, but there’s been far more Godfather along the way. In the mid-season finale, Walter closed the garage door in Jesse’s face, much in the same way Michael shut Kay out of his office, and his meticulously timed murder of Mike’s remaining guys echoed the Godfather’s baptism montage in which Michael eliminated his enemies. “We crib from them shamelessly,” Gilligan told me. “We’re always asking ourselves, How does this relate to The Godfather? In the finale, we may give even a more overt tip of the hat.” 8. Giving every character their due. Not counting baby Holly, the show has nine major characters left, including Walt’s new recruits Lydia and Todd. Gilligan says that that occasionally feels like “one or two too many.” “Sometimes it’s hard to give them all their due and make them all wrap up beautifully. That’s another big fear I have,” he said. One outcome that’s probably safe to assume? Saul will survive. “I like to think of Saul as a cockroach in the best possible way,” Gilligan said. “This is a guy who’s going to survive while the rest of us have been nuked into annihilation. He’ll be the worst-dressed cockroach in the world.” 9. Hank’s triumph. It took 54 episodes, but in September’s midseason finale, Hank finally locked in that his brother-in-law was Heisenberg. Hank wasn’t conceived as the man to bring Walt down; Gilligan initially said he needed a boisterous alpha-male foil for the meek meth cook. But Hank revealed himself to be if not smarter than Walt, then more doggedly persistent. And who knows if he’ll really get to take down Heinsenberg, but the playing field has been leveled. “We discovered Hank is very, very good at his job,” Gilligan said. “You know, I love the TV show Columbo. Hank is like a postmodern shout-out to Columbo.” 10. Finality. There will be no Breaking Bad movie. Episode 62 is it, folks. How many ways can Gilligan say it? “Rightly or wrongly, there will be a conclusive ending,” he told me. “Our story from the beginning has been designed to be close-ended. It’s very much designed to have a beginning, middle, and end and then to exist no more.” http://www.vulture.c...bad-finale.html

Кућиште ми је тако позиционирано да интерна варијанта не долази у обзир.

Значи ниси ипак на крају узео Steelseries слушке?

Планирао сам да пазарим већ сутра ако буде предлога и завршим са том причом, хвала у сваком случају. Ако ипак затреба цимнућу те.

Требају ми и препоруке које пријемнике да узмем, ако знаш пиши : ) Бајдивеј, какве су све разлике између интерних и екстерних пријемника, и по питању квалитета хватања сигнала и цене?

Рутер који сам добио је TP-Link TD854W, а треба да сигнал ухватим на још пар рачунара. Распоред просторија је овакав: *** *** Рутер је позициониран у соби обележеној црвеном звездицом, а сигнал треба да се ухвати у зеленим. Већ сам преко телефона тестирао доступност и успешно сам ухватио мрежу. Сигнал такође мора да се хвата у соби тачно испод оне у којој је рутер, што је такође успело преко мобилног. Шта још треба да узмем од уређаја да повежем десктоп рачунаре у тим просторијама, да ли за сваку собу да узмем адаптер друге јачине ако им се цене пуно разликују? Да ли могу још нешто да учиним (следећом приликом) да пријем сигнала буде бољи (AP?), а да то не ремети ову куповину?